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Long after his death in 1950 director John Stahl was described by Andrew Sarris as a neglected pre-Sirkian figure, and with Natalie Kalmus making sure the images were clean and bright Leon Shamroys Oscar-winning Technicolor photography was not then permitted the dramatic high-contrast look Russell Metty created ten years later for Douglas Sirk at Universal (the lens flare at one critical moment probably made it into the final print only because it was in a scene shot on location and Technicolor therefore couldnt insist upon it being re-shot)

August 12, 2013

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Ignition Type

With the remainder of the stalks of leaf, I wait until the topmost leaf shows signs of maturation, then stalk-cut those plants, and hang the entire stalk on the line to sun-cure