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doi:10.1159/000381867

and, like Hitchock in Vertigo , Rivette reinforces in this his most important neo-noir film, the theme of the double through the use of a shadow: When Ludivine (Laure Marsac) enters the office of Walser (the man who murdered her father), harsh light casts a full shadow of Ludivines body on the wall between her and Walser (Jerzy Radziwilowicz), as a violent reminder of her murdered sister

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